📘 ❞ كل شيء يمضي ❝ رواية ــ فاسيلي غورسمان
روايات وقصص عالمية - 📖 رواية ❞ كل شيء يمضي ❝ ــ فاسيلي غورسمان 📖
█ _ فاسيلي غورسمان 0 حصريا رواية ❞ كل شيء يمضي ❝ عن دار أثر للنشر والتوزيع 2025 يمضي: Everything Flows is Vasily Grossman’s final testament, written after the Soviet authorities suppressed his masterpiece, Life and Fate The main story simple: released thirty years in camps, Ivan Grigoryevich must struggle to find a place for himself an unfamiliar world But novel that seeks take whole tragedy of history, Ivan’s only one among many Thus we also hear about cousin, Nikolay, scientist who never let conscience interfere with career, Pinegin, informer got sent camps Then brilliant short play interrupts narrative: series informers steps forward, each making excuses inexcusable things he did—inexcusable yet, plead, Stalinist Russia understandable, almost unavoidable And at core book, Anna Sergeyevna, lover, tells her eager involvement as activist Terror famine 1932–33, which led deaths three five million Ukrainian peasants Here Everything attains unbearable lucidity comparable last cantos Dante’s Inferno (less) ترجمة : هيفاء القحطاني روايات وقصص عالمية مجاناً PDF اونلاين قراءة وتحميل قصص مترجمة بأنواعها المختلفة سواء رومانسية أو توثيقية خيالية حكايات وحكايات من التراث العالمي أجمل القصص وأحلى الحكايات للكبار والصغار فيها المتعة الجمال والذكاء والتشويق والاثارة تناسب جميع الأعمار للأطفال والبالغين
- مساهمة من: على
( الإثنين 23 يناير 2023 ( 9:21 مساءً )) - تبليغ عن سوء استخدام
Everything Flows is Vasily Grossman’s final testament, written after the Soviet authorities suppressed his masterpiece, Life and Fate. The main story is simple: released after thirty years in the Soviet camps, Ivan Grigoryevich must struggle to find a place for himself in an unfamiliar world. But in a novel that seeks to take in the whole tragedy of Soviet history, Ivan’s story is only one among many. Thus we also hear about Ivan’s cousin, Nikolay, a scientist who never let his conscience interfere with his career, and Pinegin, the informer who got Ivan sent to the camps.
Then a brilliant short play interrupts the narrative: a series of informers steps forward, each making excuses for the inexcusable things that he did—inexcusable and yet, the informers plead, in Stalinist Russia understandable, almost unavoidable.
And at the core of the book, we find the story of Anna Sergeyevna, Ivan’s lover, who tells about her eager involvement as an activist in the Terror famine of 1932–33, which led to the deaths of three to five million Ukrainian peasants. Here Everything Flows attains an unbearable lucidity comparable to the last cantos of Dante’s Inferno. (less)
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