📘 ❞ Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde ❝ كتاب ــ روجر سكروتون اصدار 2003
فكر وثقافة - 📖 كتاب ❞ Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde ❝ ــ روجر سكروتون 📖
█ _ روجر سكروتون 2003 حصريا كتاب ❞ Death Devoted Heart: Sex and Sacred in Wagner's Tristan Isolde ❝ عن جميع الحقوق محفوظة للمؤلف 2025 Isolde: A tale of forbidden love inevitable death, the medieval legend recounts story two lovers unknowingly drinking a magic potion ultimately dying one another's arms While critics have lauded for originality subtlety music, they denounced drama as "mere trifle" rendering Matilde Wesendonck, wife banker who supported him during his exile Switzerland Death Heart explodes this established interpretation, proving to be more than just sublimation composer's Wesendonck or wistful romantic dream Scruton boldly attests that has profound religious meaning remains relevant today it was contemporaries He also offers keen insight into nature erotic love, sacred qualities human passion, peculiar place our culture His argument touches on tragedy, significance ritual sacrifice, redemption, providing fresh interpretation masterpiece Roger written an original provocative account music drama, which blends philosophy, criticism, musicology order show work's importance twenty first century فكر وثقافة مجاناً PDF اونلاين الثقافة تعني صقل النفس والمنطق والفطانة حيث أن المثقف يقوم نفسه بتعلم أمور جديدة كما هو حال القلم عندما يتم بريه هذا القسم يشمل العديدة من الكتب المتميزة الفكر والثقافة تتعدّد المعاني التي ترمي إليها اللغة العربية فهي ترجِع أصلها إلى الفعل الثلاثي ثقُفَ الذي يعني الذكاء والفطنة وسرعة التعلم والحذق والتهذيب وتسوية الشيء وإقامة اعوجاجه والعلم والفنون والتعليم والمعارف
كتاب
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde
ــ روجر سكروتون
صدر 2003م كتاب
Death-Devoted Heart: Sex and Sacred in Wagner's Tristan and Isolde
ــ روجر سكروتون
صدر 2003م- مساهمة من: إيمان زوام
( الجمعة 22 سبتمبر 2023 ( 2:56 مساءً )) - تبليغ عن سوء استخدام
A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.
Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.
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