📘 ❞ Selected Prose of Oscar Wilde with a Preface by Robert Ross ❝ كتاب ــ أوسكار وايلد اصدار 2018
كتب الادب الانجليزى - 📖 كتاب ❞ Selected Prose of Oscar Wilde with a Preface by Robert Ross ❝ ــ أوسكار وايلد 📖
█ _ أوسكار وايلد 2018 حصريا كتاب ❞ Selected Prose of Oscar Wilde with a Preface by Robert Ross ❝ عن جميع الحقوق محفوظة للمؤلف 2024 Ross: PREFACE With the possible exceptions Greek Anthology, “Golden Treasury” and those which bear name E V Lucas, no selections poetry or prose have ever given complete satisfaction to anyone except compiler But critics derive great from pointing out errors omission inclusion on part anthologist, all us putatively re arranged edited even in our leisure moments In an age when “Art for Art’s sake” is exploded doctrine, anthologies, like everything else, must purpose The object present volume afford admirers Wilde’s work same innocent pleasure obtainable similar compilations, namely that reconstructing selection their own mind’s eye—for copyright considerations would interfere materialisation dream كتب الادب الانجليزى مجاناً PDF اونلاين هذا القسم يشمل الاقسام الفرعية التي تحتوي علي لأدب الإنجليزي (بالإنجليزية: English literature) وهو ما يكتبه الكُتَّاب من إنجلترا وأسكتلندا وويلز باللغة الإنجليزية مجالات الشعر والنثر والمسرحية أدب غني بالروائع مختلف المجالات الأدبية كما أنه أقدم الآداب الغربية This section includes sub sections contain literature, what written writers England, Scotland Wales language poetry, drama areas ,
كتاب
Selected Prose of Oscar Wilde with a Preface by Robert Ross
ــ أُوسْكَارْ وَايْلِدْ
صدر 2018م
كتاب
Selected Prose of Oscar Wilde with a Preface by Robert Ross
ــ أُوسْكَارْ وَايْلِدْ
صدر 2018م-
مساهمة من: إيمان زوام
( الجمعة 24 نوفمبر 2023 ( 5:49 مساءً )) - تبليغ عن سوء استخدام
PREFACE With the possible exceptions of the Greek Anthology, the “Golden Treasury” and those which bear the name of E. V. Lucas, no selections of poetry or prose have ever given complete satisfaction to anyone except the compiler. But critics derive great satisfaction from pointing out errors of omission and inclusion on the part of the anthologist, and all of us have putatively re-arranged and re-edited even the “Golden Treasury” in our leisure moments. In an age when “Art for Art’s sake” is an exploded doctrine, anthologies, like everything else, must have a purpose. The purpose or object of the present volume is to afford admirers of Wilde’s work the same innocent pleasure obtainable from similar compilations, namely that of reconstructing a selection of their own in their mind’s eye—for copyright considerations would interfere with the materialisation of their dream.
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